As a respected educator who is involved in numerous district and county programs, Jennifer Howe embodies the ethos of the affirmation featured on her journal: She Believed She Could So She Did. In her professional role as a German and English teacher at Lake Orion High School, Jennifer has spent her career helping students believe in their potential while she has continually pushed her own.
At home, Jennifer is just as engaged as she is in her classroom. She and her husband, who live in Auburn Hills, MI, have two daughters who are active, curious, and full of their mother’s eagerness to engage with the world. These qualities will help the girls make the most of their family’s first international trip, which will take them and their parents to Germany this summer.
Germany’s town of Rothenburg ob der Tauber
Jennifer has a long history with personal writing, beginning with a diary that she maintained in elementary school. Only a few years later, one of her favorite journals was formed when she was a student in a creative writing class in high school. That notebook is one that she still revisits. When Jennifer moved on to college she journaled on a computer for a while (saving the entries to disc), but then migrated back to paper. During the summer of 2018 she journaled steadily, but her return to teaching in the fall cut down on the frequency of her opening the cover.
With the dawning of the New Year, Jennifer recommited to personal writing. She dedicates at least 5 minutes per day to journaling, most often in the early morning when her home is quiet. She finds journaling beneficial because it allows her to, “remember important events, to clear [her] mind, or work through challenges.” With wide-ruled pages and an 8.5″ x 11″ size, her notebook provides ample space for all three. Amazon.com currently has the She Believed journal, which 67% of reviewers provide with a 5-star rating, priced at only $4.99.
Traditionally, Jennifer composes in cursive, using Pilot G2 gel ink pens — a favorite among many writers, including the author of this blog post. However, her 8-year-old daughter has recently convinced her to give another option a try: Paper Mate’s Flair Pens. One can be seen in the top photograph. These felt tip pens, which are available in several dozen colors as well as three different point variations (medium, fine, and extra-fine), hold a special place at her daughter’s school: they can only be used when students are writing (i.e. not for artwork or doodling).
The cover of Jennifer’s journal features a powerful phrase, “she believed she could so she did,” whose original author is unknown. Based on web research data, we know that it has been circulating on-line since the early 2000s. Curiously, what is also shaded by a degree of uncertainty is arguably the most iconic image — and slogan — used to promote female empowerment in recent decades: the Westinghouse Electric Corporation’s “We Can Do It!” poster.
In 1942, the Pittsburgh-based Westinghouse Corporation, which manufactured numerous electrical devices including turbines and generators, hired graphic artist J. Howard Miller (ca. 1915-1990) to create a series of posters to promote the efforts of the company’s internal War Production Co-Ordinating Committee. Very little is known about Miller, who earned a degree from the Art Institute of Pittsburgh in 1939 and was living in that city during World War II. Even his birth and death dates are uncertain. But the impact of his illustration is now legendary, and it continues to grow.
However, a significant misconception regarding the poster is prominent today because the name “Rosie the Riveter” identifies several other artifacts from the World War II era — namely a song and a painting featured on a magazine cover. Despite what many people believe, J. Howard Miller’s boldly-colored poster was not designed to rally public support for the war effort, and neither has it served as a symbol of female empowerment since the 1940s. Rather, the poster — which was essentially invisible to the public during the War — was seen by few Americans until the 1980s.
In a remarkable New York Times article from January 22, 2018, Dr. James J. Kimball of Seton Hall University is quoted as saying that, “It turns out that almost everything we think about Rosie the Riveter is wrong. Wrong, wrong, wrong, wrong wrong.”
Although Miller’s poster was revealed in 1943, its reach was very restricted. It did not become a cultural symbol of patriotism and women’s strength during the wartime years. Instead, the poster was only on display inside a few Westinghouse manufacturing plants for several weeks in February of 1943 until it was replaced by the next one in the series. Notice the small “Post Feb. 15 to Feb. 28” instruction found in the lower-left corner of the image. Miller designed 42 posters — most featuring men — and their goals were to boost morale and reduce absenteeism among Westinghouse’s factory workers.
Rather than Miller’s poster, it was a painting by famed American artist Norman Rockwell (1894-1978) that became a national symbol during the 1940s. Rockwell’s painting, which graced the cover of The Saturday Evening Post on May 29, 1943, was entitled “Rosie the Riveter.” The name of the painting references a popular song with the same title that was produced in 1942 and recorded by several musicians. It was Rockwell’s painting — not Miller’s illustration — that became widespread during World War II. In fact, Rockwell’s rugged and defiant Rosie (her feet rest on a copy of Hitler’s Mein Kampf) was so popular that The Post allowed the U.S. Department of Treasury to use it to market war bonds.
It was not until the 1980s, when Miller’s 17″ x 22″ poster was rediscovered, that it began to creep into the national consciousness and started serving as an influential vehicle for promoting women’s strength and capabilities. “Rosie the Riveter” definitely was an extremely influential cultural concept in the 1940s, but the “We Can Do It!” illustration was not. A fascinating history of J. Howard Miller’s poster — and the ways its likeness has been utilized by innumerable people and organizations since its public rebirth in the 1980s — can be found here.
Today, some journals like Jennifer Howe’s feature affirming slogans of women accomplishing what they set their sights on. And whether those goals involve riveting, writing, or reforming standards in business or civic affairs, the “we can — and do” message continues to spread. Jennifer’s two daughters will undoubtedly carry on that tradition. In fact, they are likely already doing so.
Note — The image of J. Howard Miller’s poster was obtained from the website of The National Museum of American History. The photograph of Germany’s Rothenburg ob der Tauber was taken by Roman Kraft, and it was obtained from Unsplash.com. The image of the cover of The Saturday Evening Post was found on the website for the Norman Rockwell Museum. Finally, the image of the “She Believed” journal featured at the bottom of this post was borrowed from Amazon.com.